Publications
My College Is Better Than Your College Print E-mail
San Diego Reader

20190815(San Diego Reader August 14, 2019)

The Event: College Fair Night.

The Venue: San Diego Convention Center.

The Scene: A big-box room rowed with white linen-covered tables behind blue-curtained backdrops.

The Hosts: More than 300 college admissions table-sitters selling the glories of their schools, from the Moody Bible Institute to The Ohio State University, Holy Spirit to Holy Buckeye.

The Supporting Players: Moms who look like their daughters — jeans, middle-parted long hair, and shiny leopard-print purses; Dads, startled and leash-led.

The Central Players: Scores of kids, 15 and 16, shopping avidly with questions and concerns, their cellphones pocket-packed.

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Review: Fluid States by Heidi Czerwiec Print E-mail
Criticism

Czerwiec cover(River Teeth Blog August 2, 2019)

Shapes Shifted, Senses Altered, Values Freely Wheeled

There may be no more startling way to bait readers into an essay than this: “Is there a word for the unsettling sensation of sitting down on an unexpectedly warm toilet seat, because someone used it just before you and sat there for a good long while? Maybe something in German?” The author titles it: “FREUDENSCHANDE: PRIV(AC)Y,” translated as “joyful-shame.” Using more of these “made-up” German compounds as section titles, she goes on to compare the “bowel mover” in the “public privy” to the commodious confessions of the personal nonfictionist, the emotional “shitshow” so many memoirists and essayists insist readers have to sit with. All this “warmth sharing” breaks “the illusion of privacy” and invites us into the shape-shifting, sense-altering, fearlessly original prose of Heidi Czerwiec.

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DH Lawrence & Spirituality Print E-mail
Essays and Memoirs

D.H. Lawrence 29 November 1915

(Excerpt from Spirituality and the Writer June 2019)

Perhaps the finest spiritual essay in English is “The Spinner and the Monks,” the second chapter of D. H. Lawrence’s Twilight in Italy.In 1912, Lawrence and Frieda von Richthofen, having just met and gone lust-mad for each other, spent the winter/spring seasons on Lake Garda in Gargnano, Italy. High above Gargnano and its tangled streets sits the Church of San Tommaso. The small chapel, which Lawrence espies from the lakefront, seems to float in the sky, looking out at the snow-capped peaks of the Tyrol. Climbing ancient cobblestone streets up through the village, passing walled houses atop steep stairways, he discovers San Tommaso’s terrace, “suspended” “like the lowest step of heaven,” a place with an earthen sacredness in between (or joining) the sky and the earth. He enters the Church and inhales “a thick, fierce darkness of the senses.” His soul shrinks, he says, and he hurries outside.

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On Writing That Is Far Less Religious, Way More Spiritual Print E-mail
Essays and Memoirs

santa fe sky original contemporary abstract landscape painting by colorado contemporary artist kimberly conrad(Brevity May 30, 2019)

In my long and ongoing study of the memoir and what the form means for writers who want to capture their religious or spiritual experience, I keep coming back to an inescapable truth about the history of what we think of as spiritual literature.

This truth has two parts: first, that from 400 to 1948, there are only four primarily personal religious autobiographies whose authors intensify the passion of their religious conversion, which feels as close to verifiably authentic as each can make it in the writer’s prose: the confessions of Augustine, Tolstoy, Thérèse of Lisieux, and Thomas Merton.

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Thirty-Five Glimpses at Lemon Grove Print E-mail
San Diego Reader

Lemon Grove California CREDIT Matthew Suarez t658(San Diego Reader April 10, 2019)

1 / On January 5, 1931, 75 Mexican-American children were expelled from the Lemon Grove Grammar School. By decree of the school board, the principal, Jerome Green, blocked the doorway, proto-George-Wallace style, telling the kids to attend another school where they’d receive lessons in Americanization, habilitate their English, learn “American” culture, before mixing with Anglos. These children of Mexican heritage were, Green and the board had decided, deficient in the lingua franca. They weren’t. Nearly all were fluently bilingual. (One man recalled his father at the time saying, “from the door outside, you’re in the United States, from the door inside, you’re in Mexico.”) The boys and girls were ordered to a makeshift building they dubbed the barn. The wall boards had spaces between them, sunlight shafting in. It smelled of horse manure. All but two refused to stay and left for their homes on Olive Street. On the way, their defiance earned insults—illegal, greaser, alien—though 95 percent were born in Lemon Grove.

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We Wish There Were Fewer Print E-mail
San Diego Reader

20190123(San Diego Reader January 23, 2019)

Today, a brace of mourners is bidding farewell to twins Baby Andy and Baby Honey, the briefest of brother and sister. Their scant hours among the living are over, the endlessness of eternity begun. Days before, they were wrapped in blankets and tucked into separate 10-inch by 20-inch coffins with a beanie baby by their side. The caskets, woodworking projects of Eagle Scouts, are made of pinewood, finely glossed vaults with handles attached. The lids, the last act, were glued on. The Clairemont mortuary has delivered them, and now a two-by-two formation of a dozen Knights of Columbus leads two of their group who carry the precious cargo up a sodden, sloping hill, massed with flat headstones, in El Camino Memorial Park.

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Review: Making Violence Holy Jo Scott-Coe's MASS, a Dialogue with Renee D'Aoust Print E-mail
Criticism

Mass(River Teeth Online December 03, 2018)

Note: D’Aoust and Larson reflect on the structure, style, and meaning of Scott-Coe’s research-based prose meditation on the mass murderer Charles Whitman. The ex-Marine sniper killed his mother and wife as well as more than a dozen people from the University of Texas Tower in Austin on August 1, 1966. But there’s a companion story—that of an alcoholic Catholic priest whose friendship with the killer (he married Whitman and his wife) is also core to the tale. The priesthood creates a secretive brotherhood that hides male violence, especially against women, from public scrutiny, while it sanctions the same in the patriarchy.

TL: First, I’d like to orient our readers with a little bit about Scott-Coe. She is the author of Teacher at Point Blank and the essay “Listening to Kathy,” has taught at Riverside Community College for many years, and advises the literary annual, Muse. I have much to say about Mass, which is provocative and challenging because of its unusual style and its inescapable implications about the Catholic church whose all-male hierarchy continues to hide deviant laity and sexual crimes within its ranks.

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