Publications
A Meditation on California While Rushing Through It Print E-mail
Essays and Memoirs

2683210010_b127534e8b(Benicia Bay Review Volume 1, Number 2, Fall 1994)

How many times have I rushed home to San Diego on a Sunday evening from a weekend off in the hinterlands of California? From Carmel, Idyllwild, Tecaté B.C., from hiking in Yosemite, the Lagunas, Anza-Borrego. The flying drive home inspires me with its geographical spectacle, and the contour of meaning I take from the land I navigate. I always arrive not tired, but ecstatic, aware of something new, something perhaps magical coming to my work and life. I think clearly in the dark at seventy-five miles an hour. One benefit of freeways.

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Four Prose Poems Print E-mail
Essays and Memoirs

dfd883ebd51fcc46d753579d588b2f26 sadness matisse paintings(Sunflower: A Literary Journal for Freewrites 1993)

The PDF file

is attached

and can be read

here.

 
Review: Jigs and Reels by Michael Stephens Print E-mail
Criticism

Jigs and Reels(Furious Fictions #3 October 1993)

Lucky you! Lucky me! Michael Stephens' prose offers us a choice. We can listen purely for pleasure to the sonorous wording and deft rhythms of these imaginative pieces, captivated by such marvels as "Sparrows,` which begins: "Dull tan, homeless, bleached brown, some even brindled, there is perpetual vagrancy to them, as though their only purpose were to cadge quarters from passersby, or ask for a cup of coffee."

Or we can receive careful instruction in the craft of prose compositions--the running sentences, the lack of connectives, the tonal registers, the stylistic illusions--in works like "The Runaway," in which clauses flow with rowboat regularity, gliding across the surface without once going under, to explain why the boy returned home.

The rest of the review is available here (opens a PDF).

 
Somewhere in the Talk Show Audience Print E-mail
Essays and Memoirs

342685_Friday20Kitty(San Diego Union-Tribune August 12, 1993)

"Welcome, everyone, to 'Audience Survey,' the TV talk show that talks about TV talk shows and their audiences. I'm Chip Pitts, your host for 'Audience Survey,' and before we begin, a few questions. How many here have felt terrible watching the floods in the Midwest—rising waters, melting levees, fleeing families?"

A woman sitting next to me raises her arm eagerly. Many others do too.

"I watched it, but I didn't feel that bad," I say to her. "Maybe I didn't watch enough."

"My God," she says, "the more I watched the worse I felt."

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Words for Boys and Girls Print E-mail
Essays and Memoirs

boys(San Diego Writers' Monthly August 1993)

The thing I most feared in kindergarten was peeing in my pants. I was no bedwetter; nor was my bladder weak, requiring trips to the toilet every hour. My affliction was more complicated. In the first week of kindergarten I couldn’t yet read those separate words, carved into small brown rectangles high up on the bathroom doors:

 

BOYS                                                                       GIRLS

 

In those days—the 1950s—illiteracy wasn’t accommodated: There were no figures of thick-limbed stick people with and without a skirt to classify gender. Maybe I was slow (I had just turned five), but I could read very few words; cat was one, dog another. To choose the right bathroom, I simply followed the older boys. Recess made it easy. Everyone usually went then.

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When the Subject Is AIDS, No One Knows What to Say Print E-mail
Essays and Memoirs

Hammershoi(San Diego Union-Tribune July 1, 1993)

I was startled to read recently that only 11 percent of Americans personally know someone who has been diagnosed with HIV, who has AIDS or who has died of AIDS-related causes.

Such personal contact is a blessing for victims and their friends.

However, as AIDS grows into new populations, people who have little practice with the uncivil ways AIDS strikes seldom know how to respond. This past year, Chris, a student in my college writing class, struggled with AIDS until he had to withdraw from school.

Before he left, Chris talked to the class about his experience.

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On My Father's Business Print E-mail
Essays and Memoirs

MC_Escher_single_lizard_tile(Great River Review Number 22, April 1993)

Newly dead, an old lizard lies on a napkin on my desk, just as I found it in the yard, on its back. I don’t know why I spotted the pale underbelly in the brown grass. At rest, its tiny forelegs are slackened, and its miniature webbed fins, bent ninety degrees at the wrists, seem poised. The forelegs thus cocked suggest that the lizard held something to itself as it died.

Turning it over to its familiar scaly back and prehistoric skin, I see what helped it thrive in the canyon below our house—an armor, formed by evolution and drought, which guaranteed no one except its kindred species got close.

Resignation in this animal is frozen within. The bumptious eyes once eager to spot danger are gone to glass. Before this moment, I would not have ruminated on a skittish lizard, which darted away at the first sight of me. To gaze at anything requires of the object some acquiescence—shyness is especially nice. This lizard, though, never knew anyone’s nearness and received no advantage for having been seen, studied, or admired.

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