Publications
Review: Other People's Myths by Wendy Doniger O'Flaherty Print E-mail
Criticism

doniger(San Diego Tribune January 27, 1989)

Something Is A Myth Here

Yes, I know, Wendy Doniger O'Flaherty is the first Mircea Eliade Professor of the History of Religions at the University of Chicago. And yes, her new book demonstrates vast knowledge of the esoteric and common myths of world religions. But all the pomp doesn't quite support the pulpit. Missing in this hard-to-read treatise is the most elusive trait any scholar-writer can possess—simplicity.

Communicating one's knowledge takes writing that is clear, focused and taut, with a recognizable purpose. The range of erudition here is immense: Hindu, Greek, Jewish, Christian myths and rituals, and everything else in between: Freud-Jung-Homer-Plato-Jesus-Krishna-Woody Allen; fish-deer-goats-horses-dogs; gods-film-mind-madness-orality-sacrifice-transubstantiation-orthopraxy. Add to this unmanageable vista a problem with directness.

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Review: Grey Is the Color of Hope by Irina Ratushinskaya Print E-mail
Criticism

irina(San Diego Tribune November 4, 1988)

A Soviet Poet's Prison Memoir

When we speak of human rights records, we talk of one country's violations and another's gross violations.

Remembering recent atrocities, we know too well that the denial of rights in Cambodia and the denial of rights in the Philippines are not the same; we distinguish wisely between murder and torture on one hand and economic neglect on the other. But how are we to judge the grossly hypocritical violators, those who insure the right of food, job, housing and medicine to all, but disallow rights to political dissenters? A clue emerges in "Grey Is the Color of Hope," a prison memoir written by a young Soviet poet, Irina Ratushinskaya, that exposes the gross hypocrisy of her country's human rights policies.

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Review: Tolstoy: The Ultimate Reconciliation by Martine de Courcel Print E-mail
Criticism

0897265(San Diego Tribune September 9, 1988)

Tolstoy: The Man and the Legend

Martine de Courcel, a French psychologist and biographer known previously for writing a life of Andre Malraux, has produced an epic study of the Russian writer and religious thinker Leo Nikolayevich Tolstoy. Her production is masterly in its explication and fascinating in its revelations.

Published in France in 1980, the work appears now in a flawless translation by Peter Levi. This book is a journey through Tolstoy's intellectual and spiritual development.

It is also an exhaustive trip through 19th century Czarist Russia, Tolstoy's marriage of 48 years to the indomitable Sofia (whom he called Sonya), the history of his family estate and the writing of the novels "War and Peace" and "Anna Karenina," not to mention the revolt of the peasants, the rise of Lenin and the impact of Tolstoyism. De Courcel's biography, however, is not an attempt to write history via one exemplary life.

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Review: Writin' Is Fightin' by Ishmael Reed Print E-mail
Criticism

Ishmael_Reed(San Diego Tribune August 26, 1988)

Pounding Away at Racism

White writers write. Black writers write. But black writers fight. The difference?

The opponent: racism.

Or, to put it his way: "Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs." Watch out—here comes Ishmael Reed, boxing his way through the color consciousness of white America with Writin' Is Fightin'.

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Review: Americas: Essays on American Music and Culture, 1973-1980 by Peter Garland Print E-mail
Criticism

garland(American Music Volume 4, Issue 3, Fall 1986; revised March 2013)

The Fist-Shaking Iconoclast

Fourteen essays comprise Americas. There are short pieces on “American Piano” and “American Percussion.” There are tracts about literary nomads Paul Bowles (whose Selected Songs Garland issued in 1983), Jamie de Angelo, and B.. Traven. There are lengthy discussions of Conlon Nancarrow, Silvestre Revueltas, Harry Partch, and Lou Harrison. And there are three travel journals written in Mexico, an autobiographical respite from his cause. In general, the book shakes its fist on behalf of the experimentalist radicals of American music and their attacks on American musical propriety.

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Unanswering the Question: Charles Ives Meets Charles Olson Print E-mail
Essays and Memoirs

cdeb024128a0546bfd209010.L(Perspectives of New Music. Double issue: Fall-Winter, Vol. 20, No. 1, 1981; Spring-Summer, Vol. 20, No. 2, 1982)

This essay started out of a desire to experience my own convergence with the music and writings of Charles Ives and the esthetics and poetry of Charles Olson. What began as a measure of my relationship with them became their relationship, in something larger, with each other. Furthermore, the same experience has always been counterpointed in my own work as a composer and writer. The legacy of the arts as being separable, by virtue of their expressive content, audience, differing perceptive modes, etc., has seemed to me to be an illusion propagated by some traditional casting of identity, of what art-forms "say."

How one form can say something, or one thing, better than another, the economic argument of the efficiency of art mediums. I feel that the genesis and experience of music and language are inseparable, if one can get beyond, if one can unanswer, the questions they supposedly address, to the exclusion of each other. They indeed converge in essence.

This essay, perhaps my first significantly original work, is now available here.

 
Thomas Larson Vita Print E-mail
Web Exclusives

08-0619Thomas Wallin Larson

This e-mail address is being protected from spambots. You need JavaScript enabled to view it

858-717-1293

Education:

Masters of Arts in English and American literature from the University of California, San Diego, 1986.

Graduate courses in music at the University of California, San Diego, 1982 and 1983.

Bachelor of Music, University of New Mexico, 1982.

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