WORKSHOPS

 

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Forthcoming:

Weeklong Memoir Workshop

Santa Fe, NM

Presbyterian Church

208 Grant Ave.

9 to 4 (hour lunch)

June 10-14, 2013

$199 pre-June 1

**

Fall in San Diego:

Private Memoir Writing Group

Ink Spot classes

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Memoir Writing Workshops:

Thomas Larson has given two-hour, all-day, and weeklong workshops at bookstores, writing centers, libraries, writers' guilds, private groups, and universities for beginning and advanced memoirists throughout the United States.

From 2007 to 2012, venues include:

Hudson Valley Writers' Center (Sleepy Hollow, NY);

MFA Low-Residency (Ashland, OH);

The Writers' Center (Bethesda, MD);

The Writers' Workshoppe (Port Townsend, WA);

Warwick’s Bookstore (La Jolla, CA);

Ghost Ranch (Santa Fe, NM);

Ghost Ranch Fall Writing Festival (Abiquiu, NM);

St. Louis Writer’s Guild;

Lancaster (PA) Literary Guild;

Writers’ Center of Indiana (Indianapolis, IN);

Mobile Writers Guild (Mobile, AL);

Bookpeople (Austin, TX);

Houston (TX) Public Library;

Palm Springs (CA) Public Library;

Book Passage (Corte Madera, CA);

Margaret Mitchell House (Atlanta, GA);

OLLI Memoir Writers (Auburn, AL);

Clemente Program (Port Hadlock, WA);

Wordstock (Portland, OR);

Kansas City (MO) Public Library;

Columbia (MO) Public Library;

The Loft (Minneapolis, MN);

Worthington Library (Columbus, OH).

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Prior appearance:

Lancaster Literary Guild

Price: please enquire

tom.larson@sbcglobal.net

References:

Brian Malloy, Education Director (612-215-2578), The Loft Literary Center, Minneapolis, MN: bmalloy@loft.org

Anita Skeen, Director, Fall Writing Festival, Ghost Ranch, Abiquiu, New Mexico: skeen@msu.edu

Judy Reeves, former Director of San Diego Writers' Cooperative (The Ink Spot), 619-284-1343: JAReeves@mac.com

Writing the Memoir: Extended Workshops Print E-mail
Memoir Writing Workshops

An extended workshop (weekend or weeklong) begins with the following description.

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Many of us have lived fascinating lives whether inwardly or outwardly, during childhood long ago or as adults in the last decade. But when it comes to writing a memoir, where do we begin? The day of our birth? The day we left home? The beginning or end of a relationship? Memoir is most successful when it is not the “story of a life,” but a focused part of that life—a dozen summers spent working on a grandfather’s farm; a long relationship with a dying relative; the first year of law school.

In “Writing the Memoir,” we discuss how to choose a subject, plan, focus, and begin a memoir. What makes for good subjects in memoirs? Examples include a relational memoir, one focused on mother and daughter or father and son; a memoir of passionate interest, a love of reading or mountaineering; a memoir of a phase or era, time spent in Mexico, a divorce, the death of a favorite uncle. We also explore the differences between autobiography and memoir and address the idea of self-disclosure.

There is time for multiple writing exercises in recalling people, places, and events, readings from published memoirs, discussion of the tension between emotional and factual truth, ideas about truth-telling for memoirists, one-on-one sharing and critique, and advice on publishing. The goal will be to draft the material for the first chapter or for a section of a memoir.

  • Author photo, book cover, posters, and postcards are available upon request.
  • Venues must include desks or tables that accommodate participants.